Hatsune Miku Introduction

2020-04-13 210浏览

1.Who is she? I Can you guess who she is? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
2.Who is she? I Can you guess who she is? I A 16-year-old girl with long and turquoise (青绿色的) hair in bunches. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
3.Who is she? I Can you guess who she is? I A 16-year-old girl with long and turquoise (青绿色的) hair in bunches. I The number one princess in the world. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4.Who is she? I Can you guess who she is? I A 16-year-old girl with long and turquoise (青绿色的) hair in bunches. I The number one princess in the world. I A famous singer who has sung many well-known songs, such as Ievan Polkka (甩葱歌) and Senbonzakura (千本樱). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5.Who is she? I Can you guess who she is? I A 16-year-old girl with long and turquoise (青绿色的) hair in bunches. I The number one princess in the world. I A famous singer who has sung many well-known songs, such as Ievan Polkka (甩葱歌) and Senbonzakura (千本樱). I Let’s enjoy a short section of one of her English songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
6.Who is she? I Can you guess who she is? I A 16-year-old girl with long and turquoise (青绿色的) hair in bunches. I The number one princess in the world. I A famous singer who has sung many well-known songs, such as Ievan Polkka (甩葱歌) and Senbonzakura (千本樱). I Let’s enjoy a short section of one of her English songs. I I think you can completely know who she is from all the tips above. I She is... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7.Hatsune Miku A virtual singer Sweetlemon Class 12 Grade 2, Nanning No.3 High School December 26, 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
8.Who is she? Again. I Although it seems that Miku is familiar to most of you, I’ll still list some of her basic information here. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
9.Who is she? Again. I Although it seems that Miku is familiar to most of you, I’ll still list some of her basic information here. I Hatsune Miku (初音未来) is a virtual singer who can sing in Japanese, English and Chinese (in time order). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10.Who is she? Again. I Although it seems that Miku is familiar to most of you, I’ll still list some of her basic information here. I Hatsune Miku (初音未来) is a virtual singer who can sing in Japanese, English and Chinese (in time order). I She is part of Vocaloid, a project developing virtual singers. Luo Tianyi (洛天依), a Chinese virtual singer, is also in this project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11.Who is she? Again. I Although it seems that Miku is familiar to most of you, I’ll still list some of her basic information here. I Hatsune Miku (初音未来) is a virtual singer who can sing in Japanese, English and Chinese (in time order). I She is part of Vocaloid, a project developing virtual singers. Luo Tianyi (洛天依), a Chinese virtual singer, is also in this project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12.How can Miku sing? Miku’s CV is Saki Fujita (藤田咲), who provided voice for Miku. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13.How can Miku sing? The songwriter, called producer, composes the melody, types the lyrics and adjusts some parameters so that Miku can sing more emotionally. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14.How can Miku sing? The software synthesizes (合成) Miku’s voice with voice bank data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15.How can Miku sing? The illustrator creates a music video to convey the emotion in a visual way. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16.How can Miku sing? In the end, the song is released on Niconico, Youtube or Bilibili. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
17.How can Miku sing? The song is covered by singers and some fan artworks (同人) are also created. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18.How can Miku sing? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
19.Miku’s friends - other virtual singers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
20.Miku’s friends - other virtual singers Can you list some traditional singers? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
21.Miku’s friends - other virtual singers Can you list some traditional singers? OK, that’s enough. We know many traditional singers while there aren’t too many virtual singers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
22.Famous producers Here’s a message on Weibo. It’s about a rank list of the most famous producers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23.Famous producers Here’s a message on Weibo. It’s about a rank list of the most famous producers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
24.Famous producers Here’s a message on Weibo. It’s about a rank list of the most famous producers. A list of 500 producers? How long it is! But these are only the most famous producers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25.Famous producers Here’s a message on Weibo. It’s about a rank list of the most famous producers. A list of 500 producers? How long it is! But these are only the most famous producers. Can you list some songwriters? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
26.Famous producers Here’s a message on Weibo. It’s about a rank list of the most famous producers. A list of 500 producers? How long it is! But these are only the most famous producers. Can you list some songwriters? Maybe we don’t know much about them. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27.Famous cover singers I Hanatan I Kano I Lingyuan yousa I Inory I ··· . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
28.Famous cover singers I Hanatan I Kano I Lingyuan yousa I Inory I ··· Some of them became CV for Vocaloid singers later, for example Kano for Luo Tianyi, and Inory for Yuezheng Ling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
29.Famous cover singers I Hanatan I Kano I Lingyuan yousa I Inory I ··· Some of them became CV for Vocaloid singers later, for example Kano for Luo Tianyi, and Inory for Yuezheng Ling. Can you list some cover singers? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
30.Famous cover singers I Hanatan I Kano I Lingyuan yousa I Inory I ··· Some of them became CV for Vocaloid singers later, for example Kano for Luo Tianyi, and Inory for Yuezheng Ling. Can you list some cover singers? It seems that we don’t know much either. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31.What can you conclude from these facts? Compare virtual singers and their music with traditional ones. What can you conclude? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
32.What can you conclude from these facts? Compare virtual singers and their music with traditional ones. What can you conclude? I Fewer singers. I More producers and more cover singers. I The community plays a much more important role. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33.Influences of virtual singers I A new form of music appears with virtual singers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34.Influences of virtual singers I A new form of music appears with virtual singers. I In Vocaloid music, the pitch (音高) and the rhythm are less limited. And the producers can ”teach” singers to sing more directly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
35.Influences of virtual singers I A new form of music appears with virtual singers. I In Vocaloid music, the pitch (音高) and the rhythm are less limited. And the producers can ”teach” singers to sing more directly. I Producers can create music freely without worrying about the singers. The songwriters come to the centre of the stage and become stars instead of the singers. Therefore, it encourages the producers to write more songs more quickly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36.Influences of virtual singers I A new form of music appears with virtual singers. I In Vocaloid music, the pitch (音高) and the rhythm are less limited. And the producers can ”teach” singers to sing more directly. I Producers can create music freely without worrying about the singers. The songwriters come to the centre of the stage and become stars instead of the singers. Therefore, it encourages the producers to write more songs more quickly. I The whole community get involved in the music. The producer have more chances to communicate with the audience than traditional song writers. And cover versions and fan artworks are also important parts of the song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
37.Influences of virtual singers I A new form of music appears with virtual singers. I In Vocaloid music, the pitch (音高) and the rhythm are less limited. And the producers can ”teach” singers to sing more directly. I Producers can create music freely without worrying about the singers. The songwriters come to the centre of the stage and become stars instead of the singers. Therefore, it encourages the producers to write more songs more quickly. I The whole community get involved in the music. The producer have more chances to communicate with the audience than traditional song writers. And cover versions and fan artworks are also important parts of the song. I In short, Miku helps more people touch music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
38.Virtual? Real? I Miku is a ”virtual” singer, which means that she doesn’t exist in this world at this moment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
39.Virtual? Real? I Miku is a ”virtual” singer, which means that she doesn’t exist in this world at this moment. I Some people dislike Miku. They think Miku’s voice is lack of emotion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
40.Virtual? Real? I Miku is a ”virtual” singer, which means that she doesn’t exist in this world at this moment. I Some people dislike Miku. They think Miku’s voice is lack of emotion. I However, other people oppose to their view. They regard Miku as a 16-year-old girl in the real world. She simply loves singing, and has sung so many wonderful songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
41.Virtual? Real? In spite of different views, Miku is trying to integrate (融入) into our lives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42.Virtual? Real? In spite of different views, Miku is trying to integrate (融入) into our lives. She has held a number of concerts all around the world. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
43.Virtual? Real? In spite of different views, Miku is trying to integrate (融入) into our lives. She has held a number of concerts all around the world.Comment:The picture is captured (截图) from Bilibili. By the way, Bilibili is named ”Mikufans” from 2009 to 2010. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
44.Virtual? Real? I Miku has a great influence, whether she exists in this world or not. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
45.Virtual? Real? I Miku has a great influence, whether she exists in this world or not. I Miku’s songs has encouraged many people to come over the diﬀiculties in their life and taught them to love. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
46.Virtual? Real? I Miku has a great influence, whether she exists in this world or not. I Miku’s songs has encouraged many people to come over the diﬀiculties in their life and taught them to love. I In my opinion, Miku exists as different forms in different world. I In Vocaloid world, she is a cute girl and a talented singer. I In the real world, she is a symbol of her CV, all the producers, cover singers, creators, and all the people devoting to her. She is the community. When we mention her, we think of all the efforts behind her. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47.Virtual? Real? I Miku has a great influence, whether she exists in this world or not. I Miku’s songs has encouraged many people to come over the diﬀiculties in their life and taught them to love. I In my opinion, Miku exists as different forms in different world. I In Vocaloid world, she is a cute girl and a talented singer. I In the real world, she is a symbol of her CV, all the producers, cover singers, creators, and all the people devoting to her. She is the community. When we mention her, we think of all the efforts behind her. I Thus, I want to say ”39” to Miku. 39, it means ”thank you”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48.References I Wikipedia,https://en.wikipedia.orgI Moegirlpedia,https://en.moegirl.org/MainpageI Bilibili,https://www.bilibili.com. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
49.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
50.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. I Hatsune Miku, who encouraged me when I was in trouble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
51.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. I Hatsune Miku, who encouraged me when I was in trouble. I Hanakiko, who helped me with this speech and corrected some mistakes. But it’s I rather than she that should be blamed for any mistake in this speech. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
52.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. I Hatsune Miku, who encouraged me when I was in trouble. I Hanakiko, who helped me with this speech and corrected some mistakes. But it’s I rather than she that should be blamed for any mistake in this speech. I LATEX and beamer, which provided a perfect experience of making slides. LATEX is an excellent free software which can help you create beautiful formulas (公式) easily and eﬀiciently. It’s a professional tool to write scholar papers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. I Hatsune Miku, who encouraged me when I was in trouble. I Hanakiko, who helped me with this speech and corrected some mistakes. But it’s I rather than she that should be blamed for any mistake in this speech. I LATEX and beamer, which provided a perfect experience of making slides. LATEX is an excellent free software which can help you create beautiful formulas (公式) easily and eﬀiciently. It’s a professional tool to write scholar papers. I All of you, who make this speech meaningful. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
54.Acknowledgements I’d like to give thanks to . . . I Ms Lao, who gave me this opportunity to give a speech. I Hatsune Miku, who encouraged me when I was in trouble. I Hanakiko, who helped me with this speech and corrected some mistakes. But it’s I rather than she that should be blamed for any mistake in this speech. I LATEX and beamer, which provided a perfect experience of making slides. LATEX is an excellent free software which can help you create beautiful formulas (公式) easily and eﬀiciently. It’s a professional tool to write scholar papers. I All of you, who make this speech meaningful. I’m eager to share more topics about ACGN (Anime, Comic, Game, Novel) with you. Again, thanks for listening. See you next time∼! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .